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Graphic Translation, A graphic design project guide
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Graphic Translation, A graphic design project guide

The process of graphic translation produces drawings of instant recognition and startling visual interest. Graphic translation is as much art as it is design, and focuses on the creation of an image with the visual means of abstraction, reduction, and interpretation with point, line, plane, shade, and shadow. Over 300 examples portray a multitude of individual approaches to the drawing system and give the designer, educator, and student insight into understanding and learning this beautiful method of graphic drawing.

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Product Details:
Author: Kimberly Elam
Paperback: 150 pages
Publisher: BookSurge Publishing
Publication Date: November 21, 2006
ISBN: 1419653326
Package Length: 9.8 inches
Package Width: 6.9 inches
Package Height: 0.5 inches
Package Weight: 0.2 pounds
Average Customer Rating: based on 2 reviews
 
 

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Average Customer Review:3.0
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2 of 2 found the following review helpful:

5nice examples and thorough  Apr 15, 2008
Elam's book graphic translation is an excellent primer and a good didactic tool for image translation. The book provides nice process examples and variations for a given image. The focus is on high contrast image simplification with examples of variants and options. Overall a very good resource for design educators looking for an encapsulation of reductive image making.

2 of 2 found the following review helpful:

1An inefficient process  Jan 22, 2008
The "graphic translation" technique introduces unnecessary steps into the concept development of a graphic, needlessly complicating the process. The author takes ten to twelve steps to get where I (and many of my professional designer colleagues) get in two.

The concept of "visual punctuation" demonstrated in the book is particularly extraneous. The eye does not need literal punctuation (i.e. dots) in order to navigate an image. (Does anyone need periods and exclamation points to comprehend Michaelangelo's Creation of Adam?) In fact, such inclusions impede the eye's natural progress through the image.

The only redeeming value for this book is the demonstration of ways to imply movement in the subject of the graphic. However, this feature alone is not worth the price of the entire book.

 
 
 
 
 
 
 
 
 
 
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